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[Akl98]  Implicit Painting of CSG Solids

Akleman:1998:IPC (In proceedings)
Author(s)Akleman E.
Title« Implicit Painting of CSG Solids »
InProceedings of Set-Theoretic Solid Modeling -- Techniques and Applications (CSG'98, April 1998, Ammerdown)
Page(s)99--113
Year1998
URLhttp://www-viz.tamu.edu/faculty/ergun/research/artisticdepiction/implicitpaint/

Abstract
Implicit painting is a non-photorealistic rendering method for painting implicitly represented CSG solids. The method is based on the fact that when a difference equation is applied to a set of particles these particles will move in 3D space. We view the motion of the particles as the motion of the hands of several painters and the trajectories of the particles as long unbroken brush strokes, over the boundaries of solids obtained by set-operations. These boundary surfaces are used as if they are the canvases of painters. The difference equations provide the trajectories of the brushes, brush and paint types. We consider this painting as a creative or `artistic' process in which the resulting artwork can be an image, a stereo image or even an animation that shows the painting process.

BibTeX code
@inproceedings{Akleman:1998:IPC,
  opteditor = {},
  optpostscript = {},
  optnote = {},
  optaddress = {},
  optorganization = {},
  author = {Ergun Akleman},
  optkey = {},
  optannote = {},
  optseries = {},
  url = {http://www-viz.tamu.edu/faculty/ergun/research/artisticdepiction/implicitpaint/},
  optpublisher = {},
  localfile = {papers/Akleman.1998.IPC.pdf},
  optisbn = {},
  optkeywords = {},
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  citeseer = {http://citeseer.ist.psu.edu/context/2062791/0},
  optdoi = {},
  optcrossref = {},
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  booktitle = {Proceedings of Set-Theoretic Solid Modeling -- Techniques and
               Applications (CSG'98, April 1998, Ammerdown)},
  optvolume = {},
  optnumber = {},
  abstract = {Implicit painting is a non-photorealistic rendering method for
              painting implicitly represented CSG solids. The method is based on
              the fact that when a difference equation is applied to a set of
              particles these particles will move in 3D space. We view the
              motion of the particles as the motion of the hands of several
              painters and the trajectories of the particles as long unbroken
              brush strokes, over the boundaries of solids obtained by
              set-operations. These boundary surfaces are used as if they are
              the canvases of painters. The difference equations provide the
              trajectories of the brushes, brush and paint types. We consider
              this painting as a creative or `artistic' process in which the
              resulting artwork can be an image, a stereo image or even an
              animation that shows the painting process.},
  title = {{I}mplicit {P}ainting of {CSG} {S}olids},
  year = {1998},
  pages = {99--113},
}

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