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[CLR+04]  Example-Based Composite Sketching of Human Portraits

Chen:2004:EBS (In proceedings)
Author(s)Chen H., Liu Z., Rose C., Xu Y., Shum H.Y. and Salesin D.
Title« Example-Based Composite Sketching of Human Portraits »
InProceedings of the Third International Symposium on Non-Photorealistic Animation and Rendering (NPAR 2004, Annecy, France, June 7--9, 2004)
Editor(s)Aaron Hertzmann and Craig Kaplan
Page(s)95--102
Year2004
PublisherACM Press
AddressNew York
URLhttp://research.microsoft.com/~rose/composecartoon-final-20040224.pdf
Editor(s)Aaron Hertzmann and Craig Kaplan

Abstract
Creating a portrait in the style of a particular artistic tradition or a particular artist is a difficult problem. Elusive to codify algorithmically, the nebulous qualities which combine to form artwork are often well captured using example-based approaches. These methods place the artist in the process, often during system training, in the hope that their talents may be tapped. Example based methods do not make this problem easy, however. Examples are precious, so training sets are small, reducing the number of techniques which may be employed. We propose a system which combines two separate but similar subsystems, one for the face and another for the hair, each of which employs a global and a local model. Facial exaggeration to achieve the desired stylistic look is handled during the global face phase. Each subsystem uses a divide-and-conquer approach, but while the face subsystem decomposes into separable subproblems for the eyes, mouth, nose, etc., the hair needs to be subdivided in a relatively arbitrary way, making the hair subproblem decomposition an important step which must be handled carefully with a structured model and a detailed model.

BibTeX code
@inproceedings{Chen:2004:EBS,
  optorganization = {},
  author = {Hong Chen and Ziqiang Liu and Chuck Rose and Yingqing Xu and
            Heung-Yeung Shum and David H. Salesin},
  optkey = {},
  optseries = {},
  editor = {Aaron Hertzmann and Craig Kaplan},
  url = {http://research.microsoft.com/~rose/composecartoon-final-20040224.pdf},
  localfile = {papers/Chen.2004.EBC.pdf},
  address = {New York},
  publisher = {ACM Press},
  doi = {http://doi.acm.org/10.1145/987657.987673},
  optmonth = {},
  opturl = {},
  optcrossref = {},
  booktitle = NPAR2004,
  optstatus = {},
  optvolume = {},
  optnumber = {},
  title = {{E}xample-{B}ased {C}omposite {S}ketching of {H}uman {P}ortraits},
  abstract = {Creating a portrait in the style of a particular artistic
              tradition or a particular artist is a difficult problem. Elusive
              to codify algorithmically, the nebulous qualities which combine to
              form artwork are often well captured using example-based
              approaches. These methods place the artist in the process, often
              during system training, in the hope that their talents may be
              tapped. Example based methods do not make this problem easy,
              however. Examples are precious, so training sets are small,
              reducing the number of techniques which may be employed. We
              propose a system which combines two separate but similar
              subsystems, one for the face and another for the hair, each of
              which employs a global and a local model. Facial exaggeration to
              achieve the desired stylistic look is handled during the global
              face phase. Each subsystem uses a divide-and-conquer approach, but
              while the face subsystem decomposes into separable subproblems for
              the eyes, mouth, nose, etc., the hair needs to be subdivided in a
              relatively arbitrary way, making the hair subproblem decomposition
              an important step which must be handled carefully with a
              structured model and a detailed model.},
  year = {2004},
  pages = {95--102},
}

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