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[CH+05b]  Motion Analysis in Video: Dolls, Dynamic Cues and Modern Art

Collomosse:2005:MAV (In proceedings)
Author(s)Collomosse J. and Hall P.
Title« Motion Analysis in Video: Dolls, Dynamic Cues and Modern Art »
InProceedings of the 2[textsuperscript]nd International Conference on Vision, Video and Graphics (VVG '05, July 7--8, 2005, Edinburgh, Scotland, UK)
Page(s)109--116
Year2005
PublisherEUROGRAPHICS
AddressAire-la-Ville, Switzerland
URLhttp://www.eg.org/EG/DL/PE/VVG/VVG05/109-116.pdf.abstract.pdf;internal&action=paperabstract.action

Abstract
This paper addresses the problem of synthesising animations from video clips; in particular emphasising the motion of tracked objects. We introduce ``dynamic cues'' as a class of motion emphasis cue, encompassing traditional animation techniques such as anticipation and exaggeration. We present methods for automatically synthesising such cues within video premised upon the recovery of articulated figures, and the subsequent manipulation of the recovered pose trajectories. Additionally, we apply our motion emphasis framework to emulate artwork in the Futurist style, popularised by Duchamp.

BibTeX code
@inproceedings{Collomosse:2005:MAV,
  opteditor = {},
  optpostscript = {},
  optorganization = {},
  author = {John P. Collomosse and Peter M. Hall},
  optkey = {},
  optannote = {},
  optseries = {},
  url = {http://www.eg.org/EG/DL/PE/VVG/VVG05/109-116.pdf.abstract.pdf;internal&action=paperabstract.action},
  address = EGAdr,
  localfile = {papers/Collomosse.2005.MAV.pdf},
  optisbn = {},
  publisher = EGPub,
  optkeywords = {},
  optmonth = {},
  optciteseer = {},
  optdoi = {},
  optcrossref = {},
  optwww = {},
  booktitle = {Proceedings of the 2\textsuperscript{nd} International Conference
               on Vision, Video and Graphics (VVG '05, July 7--8, 2005,
               Edinburgh, Scotland, UK)},
  optvolume = {},
  optnumber = {},
  abstract = {This paper addresses the problem of synthesising animations from
              video clips; in particular emphasising the motion of tracked
              objects. We introduce ``dynamic cues'' as a class of motion
              emphasis cue, encompassing traditional animation techniques such
              as anticipation and exaggeration. We present methods for
              automatically synthesising such cues within video premised upon
              the recovery of articulated figures, and the subsequent
              manipulation of the recovered pose trajectories. Additionally, we
              apply our motion emphasis framework to emulate artwork in the
              Futurist style, popularised by Duchamp.},
  title = {{M}otion {A}nalysis in {V}ideo: {D}olls, {D}ynamic {C}ues and
           {M}odern {A}rt},
  year = {2005},
  pages = {109--116},
}

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