@inproceedings{Ostromoukhov:1999:AHB,
optpostscript = {},
www = {http://spie.org/scripts/abstract.pl?bibcode=1999SPIE%2e3963%2e%2e489O},
optnote = {},
optorganization = {},
author = {Victor Ostromoukhov},
optkey = {},
series = {SPIE Proceedings Series},
optannote = {},
editor = {Reiner Eschbach and Gabriel G. Marcu},
url = {http://www.iro.umontreal.ca/~ostrom/publications/abstracts.html#SPIE2000_TechArt},
localfile = {papers/Ostromoukhov.1999.AHB.pdf},
address = {Bellingham, Washington},
optisbn = {},
publisher = {SPIE},
optmonth = {},
optciteseer = {},
doi = {http://dx.doi.org/10.1117/12.373433},
volume = {3963},
optcrossref = {},
booktitle = {Proceedings of Color Imaging: Device-Independent Color, Color
Hardcopy, and Graphic Arts V},
optnumber = {},
abstract = {In the present paper, we shall focus our attention on different
artistic halftoning techniques developed by the author at EPFL.
First, we shall explore Artistic Screening, a library-based
approach, which has been presented at SIGGRAPH95. Contour-based
generation of halftone screens effectively provides a new layer of
information. We show how this layer of information can be used to
convey artistic and cultural elements related to the content of
the reproduced images. Artistic Screening is basically
black-and-white technique. Multicolor and Artistic Dithering,
presented at SIGGRAPH99, extends it to multiple colors. This
technique permits to print with non-standard colors such as opaque
or semi-opaque inks, using traditional or artistic screens of
arbitrary complexity.},
title = {{A}rtistic {H}alftoning: {B}etween {T}echnology and {A}rt},
year = {1999},
pages = {489--509},
}
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