@inproceedings{Walker:2005:PDR,
  opteditor = {},
  optpostscript = {},
  optorganization = {},
  author = {James Faure Walker},
  optkey = {},
  optannote = {},
  optseries = {},
  address = IEEEAdr,
  localfile = {papers/Walker.2005.PDR.pdf},
  optisbn = {},
  publisher = IEEEPub,
  optkeywords = {},
  doi = {http://dx.doi.org/10.1109/IV.2005.94},
  optmonth = {},
  optciteseer = {},
  opturl = {},
  optcrossref = {},
  optwww = {},
  booktitle = {Proceedings of the Ninth International Conference on Information
               Visualisation (IV'05, London, England, )},
  optvolume = {},
  optnumber = {},
  abstract = {This paper recounts the rationale and process of writing a book on
              digital painting, the coming together of computer graphics and
              contemporary art. As both a digital and a `physical' painter, I
              felt there were fascinating possibilities the practitioner comes
              across, but these implications were being overlooked. There is a
              view that `new media' will simply replace `traditional media',
              like painting. I intended to show that a painter can `go digital'
              and yet remain quite obviously a painter. There had to be a
              balance between the detailed discussion of computer graphics and
              the detail of painting: the techniques, the histories, the
              continuing debates, in a way that would bring it alive to a wider
              readership. The title, `Painting the Digital River', is a metaphor
              for what divides the territory, for the co-existence of change and
              continuity, and for the journey of discovery.},
  title = {{P}ainting the {D}igital {R}iver},
  year = {2005},
  pages = {928--930},
}