@inproceedings{Walker:2005:PDR,
opteditor = {},
optpostscript = {},
optorganization = {},
author = {James Faure Walker},
optkey = {},
optannote = {},
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address = IEEEAdr,
localfile = {papers/Walker.2005.PDR.pdf},
optisbn = {},
publisher = IEEEPub,
optkeywords = {},
doi = {http://dx.doi.org/10.1109/IV.2005.94},
optmonth = {},
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booktitle = {Proceedings of the Ninth International Conference on Information
Visualisation (IV'05, London, England, )},
optvolume = {},
optnumber = {},
abstract = {This paper recounts the rationale and process of writing a book on
digital painting, the coming together of computer graphics and
contemporary art. As both a digital and a `physical' painter, I
felt there were fascinating possibilities the practitioner comes
across, but these implications were being overlooked. There is a
view that `new media' will simply replace `traditional media',
like painting. I intended to show that a painter can `go digital'
and yet remain quite obviously a painter. There had to be a
balance between the detailed discussion of computer graphics and
the detail of painting: the techniques, the histories, the
continuing debates, in a way that would bring it alive to a wider
readership. The title, `Painting the Digital River', is a metaphor
for what divides the territory, for the co-existence of change and
continuity, and for the journey of discovery.},
title = {{P}ainting the {D}igital {R}iver},
year = {2005},
pages = {928--930},
}
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